A series of ink and watercolor paintings celebrating the beauty of endangered species around the world
Interior illustrations for the book Plug Ugly Ball: A Mobtown Tale of Bullies and Baseball, a tale of historical fiction set in Baltimore in the late 1800s. This artwork was used on section title pages and needed to depict specific scenes from the plot in a style reminiscent of period engravings. The original ink drawings were based on extensive historic research for accurate depictions of real locations and people who appear in the story.
Client: John Thomas Everett
Publisher: Baltimore Bookworks
My own cats, Tinkerbell the tiny tabby and Simon the tuxedo tomcat, are frequent models. These selected ink drawings from my sketchbook are from 2016-2018.
Accepted into the ICON9 group art show, Tall Tales, in 2016
This piece was drawing with an inkbrush but “painted” entirely digitally.
Image to accompany an article about restrictions on non-graphic imagery being used to promote feminine hygiene products in the subway system. Artwork reflects imagery representative of those used in the disputed advertisements.
Illustration of the performer Sia, in the style of a Rolling Stone feature image.
Published in the Washington Post Express 2016 Spring Arts Preview guide. Drawn on bristol paper with a Pitt brush pen and digitally colored with watercolor brushes from Kyle Webster
Art director: Adam Griffiths
Many thanks to Alex Fine of Baltimore Academy of Illustration for making the introduction while I was attending their discussion class!
Sketch based on an art challenge from Von Glitchka titled “Boxing Dinosaurs” — it was meant to indicate the need to fit these different type of dinosaurs into a square box, but I’d already misinterpreted it to mean something VERY different…
Sketches of robot animals for a themed Artist Trading Card project. Each card is 2.5 x 5 inches.
