Accepted into the ICON9 group art show, Tall Tales, in 2016
This piece was drawing with an inkbrush but “painted” entirely digitally.
Image to accompany an article about restrictions on non-graphic imagery being used to promote feminine hygiene products in the subway system. Artwork reflects imagery representative of those used in the disputed advertisements.
Illustration of the performer Sia, in the style of a Rolling Stone feature image.
Published in the Washington Post Express 2016 Spring Arts Preview guide. Drawn on bristol paper with a Pitt brush pen and digitally colored with watercolor brushes from Kyle Webster
Art director: Adam Griffiths
Many thanks to Alex Fine of Baltimore Academy of Illustration for making the introduction while I was attending their discussion class!
Sketch based on an art challenge from Von Glitchka titled “Boxing Dinosaurs” — it was meant to indicate the need to fit these different type of dinosaurs into a square box, but I’d already misinterpreted it to mean something VERY different…
Sketches of robot animals for a themed Artist Trading Card project. Each card is 2.5 x 5 inches.
Cover Illustration for the short fantasy story, “Why,” written by Maggie Allen for author Janine Spendlove and published by the creator-run Silence in the Library Publishing as part of a Kickstarter backer bonus. The story is a bittersweet character study that takes place in Spendlove’s “War of the Seasons” fantasy universe. I worked with both Maggie and Janine to make sure I captured the style and spirit of the characters and setting.
An alphabet of hand-illustrated letters in which each letter depicts a different classic movie monster whose name begins with that letter. Can you name them all?
Available for sale as a poster and other items in my RedBubble store – Buy it now!
The Colorado State Lottery needed a series of period-style illustrations integrating the fun of scratch-off tickets into classic depictions of holiday celebrations for a campaign with the tagline “Celebrate… like they have for generations.” Client needed art that looked antique, reminiscent of engravings from the 19th or early 20th century, to evoke the traditional roots of each holiday.
Client: Colorado State Lottery
Design Firm: Cactus, Denver
Design Firm: Cactus, Denver
Art Direction: Allie Edwards